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Editorial: Comics Adaptations of Literary Works
The Editors
A Tale of Three Candides: Sfar, Meyran and Delcourt Recount Voltaire
Matthew Screech
Conrad’s Two Visions: Intermedial Transgenericity in Anyango and Mairowitz’s Graphic Adaptation of Heart of Darkness
Véronique Bragard
A French Comic Version of an Argentinian Fantastic Narrative: Jean Pierre Mourey’s L’Invention de Morel
Matthias Hausmann
Fidelity versus Appropriation in Comics Adaptation: Jacques Carelman’s and Clément Oubrerie’s Zazie dans le métro
Armelle Blin-Rolland
Haunting the Borderlands: Graphic Novel Representations of the German Expulsion
Martha Kuhlman
A Rousseauian Reading of Gillray’s National Conveniences
John Moores
Benoît Peeters, Hergé: Son of Tintin, trans. Tina A. Kover (Baltimore, MD: Johns Hopkins UP, 2012)
[J. Gavin Paul]
Monika Schmitz-Emans (with Christian A. Bachmann), Literatur-Comics: Adaptationen und Transformationen der Weltliteratur (Berlin and New York: De Gruyter, 2012)
Silke Horstkotte
Bertrand Richet (ed.), Le Tour du monde d’Astérix (Paris: Presses Sorbonne Nouvelle, 2011) =
Catherine Khordoc
Hans-Joachim Backe, Under the Hood: Die Verweisstruktur der Watchmen (Bochum: Ch. A. Bachmann Verlag, 2010)
Gabriele Rippl
Impolite Interventions? English Satirical Prints in the Presence of the Academy, c. 1750–1780
Author: Thom, Danielle
Comic Art in Museums and Museums in Comic Art
Author: Picone, Michael D.
High Comics Art: The Louvre and the Bande Dessinée
Author: Flinn, Margaret C.
Reframing European Diasporas in Contemporary France: ‘Second Generation’ Subjectivity and the Road ‘Home’ in Portugal (2011) and La Commedia des ratés (2011)
Author: Gott, Michael
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